Acting

When it comes to building a voiceover business, there are so many different tools out in the world (and on the Internet). But you really only need about five of them to get started. Everyone everywhere has an opinion on what you need to begin your career as a Voice Actor and how much money you need to spend to be considered a professional in this industry, but I’ve come to learn that most of that information is outdated and not helpful. So here’s my list of the five essential tools you need...

Beginning a new relationship can be both exciting and challenging. In the world of filmmaking, we directors initiate many relationships, the most vital and crucial being the ones we have with actors. Director/actor relationships are like none other in life. Their goal is to create believable characters that exist in a fictional world. These relationships are, by design, temporary and short-lived, lasting only for the span of the production. The curious thing is that these director/actor re...

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, in this interview with Tom Hiddleston and the SAG-AFTRA Foundation, the actor breaks down his experience working on the MCU series LOKI and nearly 15 years playing the titular character. Very few actors get the space to live in a character's evolution for this long, or to essentially be the cap...

No matter where you are based as an actor, given the state of the industry over the past few years you have undoubtedly submitted a self-tape audition (or 1,000). If you're based in LA or NYC, before COVID you may have only occasionally been required to self-tape, and when that happened, perhaps you used your cell phone or went to a buddy’s house to have them tape you. I, on the other hand, am based in Atlanta. And in addition to being a full-time actor for almost 20 years, I have co-owned a t...

Hi, Stage 32 Community! Our Stage 32 Team has been working diligently to bring in as many new resources and opportunities as possible to enrich your experience here in our community! At Stage 32 you have direct access to industry professionals who’ve overseen the makeup department, written, produced, financed, developed, distributed, consulted on, and represented acclaimed projects like YELLOWJACKETS, WANDA VISION, AGATHA: COVEN OF CHAOS, THE COVENANT, MOON KNIGHT, FIRST MAN, BLADE RUNNER...

Hey, Stage 32 Community! Who is ready to finish 2023 strong!? Throughout November, our Stage 32 Education Team has been hard at work to bring in some incredible education opportunities and resources for this fantastic community. This December, you'll have the chance to learn from knowledgeable industry executives, finance professionals, renowned makeup artists, story consultants, award-winning filmmakers, NYT best-selling authors, acclaimed producers, actors, screenwriters, distributors, att...

  I'm climbing up on my chair now so you will pay attention to what I'm about to say. Okay...I'm up here...waiting for you to listen. Ready? Don't Cast Less Than Great Actors In Your Film! It seems to me that casting is oftentimes a second thought to Indie filmmakers. Then guess what happens? We are subjected to films that are difficult to watch. Even if the script is great, bad actors can absolutely ruin your film. I have seen this occur time and time again. And so have you. D...

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, we've got this fantastic scene breakdown from Vanity Fair for the recently released PRISCILLA from Sofia Coppola starring Cailee Spaeny and Jacob Elordi. It's great to see not only each of their three distinct perspectives on filming this project but also all the visual elements packed into thi...

You see excitement sparking in the producer’s eyes. They tell you your concept is unique, highly marketable, and fills a void in a profitable genre… Then the big question comes - the most important question you get asked in any pitch - “Why are YOU the one to tell this story?” You respond, “I chose to write this paranoid-spy-thriller as my vehicle to immerse an audience in the experience of what it’s like living with an anxiety disorder, like my own CPTSD.” They had been leaning in up til...

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, the WGA has a great interview with Teresa Hsiao, the writer behind JOY RIDE and showrunner of AWKWAFINA IS NORA FROM QUEENS. Hsiao shares the shows that inspired her work from a young age and her approach to writing comedy in a collaborative way. Next, we're taking a look at the art of direc...