Filmmaking

In 2020, I had the privilege of cutting a horror/thriller film titled The Boy Behind the Door. It was the directorial debut of David Charbonier & Justin Powell, and it was also my first feature-length project as an editor. The film was part of the Official Selection at Fantastic Fest in 2020 and received some genuine critical acclaim during its run. It then sold to Shudder and became available for streaming in 2021. The whole post-production process took over 2 years of diligent work and I lea...

Ever been to - or coordinated - a wedding? A special birthday party? Perhaps a charity event, musical concert, or film festival? More than likely, you have benefited from some wonderful person employing Location Scouting for a truly enjoyable experience. Or possibly been rudely introduced to the perils of poor Location Scouting when you couldn’t park, packed all the wrong things, and couldn’t find a clean bathroom. Preparing for a film shoot is not too dissimilar from any other live event. But...

Writers. We live for that sale, entering contests, querying producers, agents, and managers, and seeking validation. With contests, it’s a step-by-step climb to claim that win. But it’s not the end. Not by a long shot... In The Beginning Not all contests are equal. Many promoters are offering new prizes in lieu of cash - meetings with professionals, mentorships, or even production packages. Stage 32 & Palm Springs Women in Film and Television Contest offered $10,000 towards production for a s...

At some point, most filmmakers come across a great idea for a documentary film. It might be an interesting topic or personality, and you just know there is a story that must be told. But similarly to narrative filmmaking, there’s a huge difference between having an idea and being able to carry it into a finished motion picture. We talk about “packaging” in scripted films, attachments, pre-sales, and budgets, but oftentimes overlook the importance of doing the same thing in documentary films....

In a land not so far away, in a time not so long ago, the veil to the film world was a mighty feat to cross. I'm not saying it still isn’t tough to get out there and become a financially stable filmmaker. However, we hold the power now. What started as a simple picture of myself that I shared on Instagram, one taken while I was filming a Docuseries using the RED Epic and Cooke Anamorphic, turned into a wild adventure called social media. That one picture launched me into so many opportunities....

Happy Sunday, Creative Army! First, congratulations to all of you who have already participated in our monthly Introduce Yourself Weekend! Thousands of connections have been made between entertainment creatives and professionals from around the globe. Whether you are a long-time member or brand new to Stage 32, take a moment to pop over to the Introduce Yourself Lounge and say hello before the end of the weekend. First up, in this video from In Depth Cine, they’re breaking down the two most...

I started to work in the independent film business in 2007. I have since, as an employee, consultant, representative, and executive producer worked for and with global service providers, production companies, individual filmmakers, sales agents, and others in this industry. And although knowledge, expertise, and affinity with the industry are certainly and undeniably important elements as well, I have learned that nothing has been of more importance to my career than building and managing my bus...

Have you ever wondered how movies and TV manage all of the moving parts and logistics before, during, and after production? Or how the production manages to always get the right information into the right people’s hands at the right time? Moreover, once a production is rolling, who handles all of the logistics and plane tickets and the movement of actors from one place to another? And who ensures that when the smoke clears, all of the paperwork is in order and the project has been delivered in a...

Happy Thursday, Creative Army! While you may have missed out on getting to attend Cannes in person, you certainly won’t miss out on the incredible insights that were shared there! At this year’s Cannes 2024, Stage 32 hosted a fantastic expert panel exploring how last year's strikes rocked the industry and changed the overall production landscape.  Moderated by Martin I. Petrov (Festival Director of World of Film International Glasgow), our distinguished panelists Jack Sheehan (President, A...

I began my adventure in the world of cinema and television in 2000. As the readers of this Blog will understand, it has been a carousel of emotions, with ups and downs that little by little, through hard work and gaining experience, have turned the balance to more successes than failures. This would not have been possible if I had not understood the importance of my own constant evolution and that of my teams. So, little by little, we became more seasoned and professional until our first comp...