Tips

Tips Stage 32 Blogs

Breaking in with ‘Break Even’ — Part 4: Taking to Dry Land & Getting Airborne

In my previous entry, I was one week into witnessing the feature film BREAK EVEN being shot based on the script I’d written on assignment. I’m now back in Blightly over a month later and have only just about recovered. The first week was tough, incredibly tough, and I had no idea things would only get more intense, more exciting, and more exhausting in the weeks to follow. We came back riding the waves like the subject of an action movie rather than the creators of it, the huge motor yacht hav...

CJ Walley
CJ Walley
6 years ago
Breaking in with ‘Break Even’ — Part 4: Taking to Dry Land & Getting Airborne

Dear Bradley: How Do I Finance My Pilot? [ & Other Filmmaking Questions]

Hi, Everyone! Welcome back to the Dear Bradley Vlog. Every month I'm going to be answering your most burning filmmaking questions. If you have one, please submit your questions in the comments below or via Instagram @Bradley_Gallo. Be very specific and I will personally answer your question the best I can. Some answers will come in long form and others in a lightening round (multiple questions with 15 second answers). Some of you will have the same question and so we will combine those. So ask...

Bradley Gallo
Bradley Gallo
6 years ago
Dear Bradley: How Do I Finance My Pilot? [ & Other Filmmaking Questions]

What Do Showrunners Look for When Staffing a Writers Room?

What do showrunners look for when staffing a writer's room? The ability to write, yes.The ability to play well with others, of course.But there's more. Much more, especially with the situation with ATA-WGA creating a level of anxiety with writer's both old and new. It's not just about story arcs and solid portfolios.Click the link below to learn what four showrunners are looking for when it comes to getting butts in seats.   Read More Here: What 4 Showrunners Look for When Staffing a...

What Do Showrunners Look for When Staffing a Writers Room?

How do I Sell My Movie? [An Objective Look at Distribution]

So you made a movie. You even have an offer from a sales agent to sell it worldwide. You are excited. Your film is selling in Cannes! It’s selling at the American Film Market! It’s screening at Berlinale! You're having viewing parties with friends and family, showing off the brochure or the listing of your movie in the Trades. You dream about the new movie you will make or the house you'll buy with the profits from the first one, and you're sure there will be so many dollars coming your way from...

Alexia Melocchi
Alexia Melocchi
6 years ago
How do I Sell My Movie? [An Objective Look at Distribution]

How to Create a Docu-Series that Intrigues (The Making of 'Make it Work') - Part 2

If you read Part: 1 How to Create a Docu-Series that Intrigues (The Making of 'Make it Work'), then you learned that Kern and I believe that every movie is like a child and the parents, with the producer and director sharing the joys and struggles of creating something from nothing.This was the case for the docuseries, MAKE IT WORK. It is a child we're extremely proud of, and was born from a genuine ambition to put the spotlight on young people in America who are using STEM to transcend otherw...

Kip Konwiser
Kip Konwiser
6 years ago
How to Create a Docu-Series that Intrigues (The Making of 'Make it Work') - Part 2

Talent Agent Offers Advice for Actors

What does it take to break into Hollywood as an actor?   Tracey Christian is a talent agent with TCA Management. Stage 32 caught up with her at Film Con to ask what kind of advice she could offer up and coming actors and actresses. Take a peek at the video below to gain access to her tips on making waves as an actor or actress in the industry.     Click Here For Tracey's Advice!     Remember, if you haven't subscribed to our YouTube page, make sure you do so you don't miss any of our a...

Talent Agent Offers Advice for Actors

How to Create a Docu-Series that Intrigues (The Making of 'Make it Work') - Part 1

Every movie is like a child and the parents, typically, and are the producer and director sharing the joys and struggles of creating something from nothing and presenting it to the world as a reflection on the best of the parents intentions. MAKE IT WORK is a child that we are extremely proud of, as it was born from a genuine ambition to focus the spotlight on young people in America who are using STEM to transcend otherwise limiting boundaries in their lives to create products that benefit thei...

Kip Konwiser
Kip Konwiser
6 years ago
How to Create a Docu-Series that Intrigues (The Making of 'Make it Work') - Part 1

How Can I Maximize My Social Media Presence as a Screenwriter? (by Richard Botto & Jason Mirch)

If you're a writer without a manager, your social media presence is crucial. Actually, it's crucial all the time. Stage 32 CEO Richard "RB" Botto & Director of Script Services Jason Mirch address how a writer without a manager can put themselves out there using social media. Stage 32 is a massive social media platform and educational site created to help creatives in the film world succeed. Listen as the duo discuss what you can do to grab the attention of producers and directors looking f...

 How Can I Maximize My Social Media Presence as a Screenwriter? (by Richard Botto & Jason Mirch)

Coffee & Content - 10 Tips on Writing Better Dialogue & How to Film Action Scenes

What's up, Creative Army. Happy Sunday to you and to all our incredible moms around the world, a very Happy Mother's Day. As a reminder, we're gearing up for a jam packed couple of weeks at Cannes. If you're attending, remember to RSVP to all our events HERE. Now, whaddaya say we dive in to another edition of Coffee & Content? Everyone likes crackling dialogue in their movies, but for most writers, the practice is easier said than done. And sometimes what's in your head, doesn't quite come...

RB Botto
RB Botto
7 years ago
Coffee & Content - 10 Tips on Writing Better Dialogue & How to Film Action Scenes

The Rules About Screenwriting [And Why There Are No Rules]

One of our most active members, Philip Hardy, posted a link in one of our lounges recently and it resonated with me as a screenwriter so much that I felt compelled to share it with our 500,000+ members. So often in our threads, there is great discussion about "breaking" screenwriting rules or what works best when writing a script. Debate is always a part of these discussions, which is never wrong and always welcomed.   I imagine the post I'm going to share from Phoenix Screenwriters wil...

The Rules About Screenwriting [And Why There Are No Rules]
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