Happy Thursday, Stage 32 Community!

At Stage 32, we know your script is more than just a document; it’s your calling card, your passion project, and potentially, your big break. But once your script is polished, where do you go from there?

That’s where Stage 32 Pitch Sessions come in. Whether you’re seeking representation or trying to sell your script to a production company, these sessions give you a real shot to be heard by top-tier professionals actively looking for material. Through Stage 32, you can pitch your script directly to managers, agents, and producers who are working at the highest levels of the business. You get honest, professional feedback, and when the chemistry is right, your career could change overnight.

Over the years, hundreds of writers have moved forward with script requests, signed with reps, landed development deals, and even had their projects produced. One shining example? Sean Farley’s new movie NEIGHBORHOOD WATCH is hitting theaters later this month on April 25, 2025—and it all started right here at Stage 32. After booking a Feature Script Read + 30 Minute Talk with Manager/Producer Chris Bellant of Vision Entertainment, Chris was so impressed with Sean’s script that he signed him as a client and came on board as a producer. Now, their shared vision is about to debut on the big screen with Jack Quaid, Jeffrey Dean Morgan, and Malin Akerman leading the cast.

And that’s just one story. Just last week alone, Stage 32 facilitated 75 Script Requests and 37 Meeting Requests from top producers and companies like Orenda Entertainment, Ufland Productions, Night Drive Management, Zoic Pictures, Lord Miller, and more. That’s momentum you can’t afford to ignore.

What Is a Stage 32 Pitch Session?

Let’s be honest: getting your script in front of the right eyes can feel like a mystery. You’ve written a feature screenplay or a TV pilot that you believe is ready for the market… but how do you actually know it’s ready? And more importantly, how do you get real feedback that helps elevate your work before you step into a high-stakes meeting?

That’s exactly where Stage 32 Pitch Sessions come in. Whether you’re preparing to find (or switch) representation, or you’re planning to go out with a script to production companies, studios, or buyers, these sessions give you the chance to get your pitch in front of an executive who can provide constructive, professional insight on the spot.

Stage 32 has built long-standing relationships with more than 1,000 working executives—development execs, literary managers, agents, and producers—who want to discover new talent, hear fresh ideas, and support up-and-coming writers.

How Does a Virtual Pitch Work?

Let’s walk through the experience so you know exactly what to expect.

When you book a live pitch session, you can choose to pitch via Skype or phone—whatever you’re most comfortable with. You’ll have 8 minutes total with the executive. Most writers use 5–6 minutes to pitch and save 2–3 minutes for feedback or questions. These moments are gold. Not only do you get to practice delivering your pitch in a professional setting, but you’re also building a real relationship with someone who could change your career trajectory.

Prefer not to pitch live? No worries. You can also submit a written pitch, a 1- to 2-page document outlining your project. This option is perfect if you feel stronger expressing your ideas on the page or if time zones and schedules make a live session tricky. Written pitches receive the same level of attention and feedback, and they’ve led to just as many script requests and follow-up meetings as live pitches.

Still unsure which format to choose? Our team is always here to help. Email writerhelp@stage32.com, and we can walk you through your options—or even send you a sample pitch for reference.

5 Tips to Make Your Pitch Successful

These five tips are your cheat sheet to making the most of every Pitch Session:

• Start with a personal connection. Briefly introduce yourself and share what inspired the story. That authenticity matters.
• Include the basics upfront. Think: title, logline, genre(s), and comps that help frame your story.
• Paint the world. Set the tone, introduce the protagonist, and then walk us through the plot.
• Keep it focused. Don’t try to cover everything. Hit the strongest, most sellable elements and let the story breathe.
• Stay open to feedback. These execs do this for a living. Their insights can be a game-changers, so listen with curiosity—not defensiveness.

Oh, and please don’t ask if they want to read the script. If they’re interested, they’ll let Stage 32 know, and we’ll handle the next steps. And never reach out to the executive directly outside of the platform. Trust the process. We’re here to protect both your reputation and your opportunities.

Here Are 7 of the Most Exciting Managers & Agents You Won’t Want To Miss This Month:

Rachel Allen – Evoke Entertainment

Rachel is a Creative Producer and Manager with relationships at Apple, Hulu, Netflix, Disney, Sony Animation, Warner Bros, and more. She co-created Z FRAME and worked on AMEND: THE FIGHT FOR AMERICA, PROMISING YOUNG WOMAN, and VENOM. Rachel’s specialty lies in meaningful, genre-forward content with a focus on diversity, environmental consciousness, and mental health.

Kate Sharp – Bellevue Productions

An Emmy-nominated producer, Kate is currently producing THE BURNING SEASON with NAOMI WATTS and SOPHIA LILLIS. Formerly VP of Development at Occupant Entertainment, Kate has worked with Showtime, MTV, Facebook, and U2, and her clients have written for STAR TREK: PICARD, GENIUS, and APPLE’S PUPPY PLACE. She requested 9 scripts and a meeting from her last pitch session!

Korin Williams – Kronicle Media

As Co-Founder of Kronicle Media, Korin has produced ROOTS, BEING MARY JANE, and the award-winning UNTHINKABLY GOOD THINGS. She’s developing shows for Peacock, Netflix, and Lifetime, including the MERRY LIDDLE CHRISTMAS franchise. Formerly at CAA, Warner Bros TV, and Will Packer Productions, her track record proves she knows how to launch and sustain hits.

Davina Hefflin – Verve Talent & Literary Agency

A powerhouse literary agent, Davina represents clients across NBC, Netflix, Amazon, Apple TV+, Showtime, Paramount+, and Lifetime with credits like SELMA, SPIES IN DISGUISE, and THE BOOK OF TRUTH. She’s been featured in Variety for her impact as one of the industry’s top rising agents.

Andrew Kersey – Kersey Management

Andrew’s clients have worked with Netflix, Hulu, ABC, FOX, and Universal, and have been featured in Deadline and The Hollywood Reporter. He sold NEVER TOO OLD TO DIE to Amazon Studios starring SYLVESTER STALLONE, and helped develop VACATION FRIENDS—Hulu’s biggest original comedy debut.

Alex Pelham – 831 Entertainment

Alex’s clients have staffed on shows like TOONING OUT THE NEWS (Paramount+), WITH LOVE (Amazon Prime), and WALKER (CW). He’s involved in the upcoming BUMBLE biopic and the feature FINEST KIND. His well-rounded roster spans both talent and literary sides across the U.S. and Canada.

Mitchell Bendersky – Expectation Management

Mitchell reps clients on projects for Apple, Hulu, FOX, Showtime, Nickelodeon, and HBO Max, including WAR IS OVER!, RIVERDALE, and PHYSICAL. Formerly at Marvel Entertainment and Gramercy Park, Mitchell specializes in bringing undeniable storytellers to the forefront.

Ready To Take The Plunge?

If you’re ready to start pitching, click here to book your next Pitch Session!

Have questions or need help preparing your pitch? Reach out anytime to writerhelp@stage32.com. We’re here to support you every step of the way!

What’s the one part of pitching that you find the most challenging—or the most exciting? Share your thoughts in the comments, and let’s learn from each other’s experiences!

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