Another Stage 32 Success Story: "Winning This Contest Feels Like a Game Changer!"

Another Stage 32 Success Story: "Winning This Contest Feels Like a Game Changer!"

Oh hi there, I just got back from LA.
“Umm... what?”
Yeah, I write movies... I mean, not “movie” movies, at least not yet, more-like blueprints for movies-- you know, screenplays.
A pause. There’s always a pause. “Sir, this is a hospital.”
Okay, a little background: I’m from New York. No, not the city. Long Island. Yuck! That accent, I know. That little dude who terrorizes bagel shops-- yep. That is home sweet home. And I work in healthcare. I’ve got a good, responsible job that I’ve had since pretty much birth. Seriously, I work in the same hospital I was born in!
But I have a secret... I write!
And I always have, really. Stories for my action figures-- NOT toys, Ma! Comic books. That failed novel that you’re supposed to write in your 20’s? Been there. Twice. And then I have all these movie scripts-- these weird little out-of-the-box fantasy scripts that I never tell a soul about.
That is, until now...
Kidding. Wouldn’t that be nuts?! The first thing I ever submit wins the grand prize in the 3rd annual Stage 32 Sci-fi & Fantasy Screenwriting Contest. C’mon! I mean, that’s why I’m here. It probably says that in the title of this blog-post. Those 1st script people are out there, I suppose, but don’t you just hate those 1st script people. Right?!!!
My journey was more quarter-life crisis. I was about to turn 30. Okay, I’m not good at math-- whatever, call it what you will. It was a turning point. A realization that I may never be creatively fulfilled if I continue on down this road. I make a living, I’m comfortable, but “The mass of men lead lives of quiet desperation.” Now that’s either a quote by Henry David Thoreau OR I heard it on a podcast, I like those, but this was my what the f*** moment. Why the f*** not, why can’t I? I know the odds of becoming a professional screenwriter are slim, I don’t care, it was time for me to stop sitting on all these eggs and let them hatch-- is that how it works. Jeez, I am not good at biology either. Point is, I was scared. That’s all it was. What if I fail? Embarrass myself? What would my family think? The people I work with?
I did it anyway. Submitted everything. Kept writing.
Then, rejection. As expected. But I was writing whether they liked me or not, so I kept going. The following year-- a placement. Small validation. It was enough. Soon, quarters turned to semi’s. Screencraft. Austin. Nicholl. I start getting some action-- actual requests for scripts and let me tell you, it feels waaay better being queried than querying. I make the finals, but never quite capture the prize and all those emails... they stop. Leads go cold eventually. And it got quiet. Real quiet. For a while.
Somewhere in that time, I spend a weekend at a Bed & Breakfast in a super old house with a ton of history. It’s big-time writing fuel and there, I have an idea about a woman who runs a house just like it. She’s older. She feels like she let her chances pass her by. Sounds familiar, but I swear I didn’t plan it. She runs her little inn and all the guests she takes in, to her, are a million times more interesting than her. They’re doing what they love. They’re traveling. They’re seeing the world. Naturally, I fill her house and story with all the best things from my favorite fantasy films. Like the ones they don’t make anymore. WILLOW. LEGEND. EXCALIBUR. I name her RITA.
And this time, I decide to go genre specific for contests. Which is how I find Stage32. The rest is history (last week counts as history, right?).
Here’s what Grand Prize gets you at Stage32. Access. It’s why I picked them. I don’t need cash and I don’t need software (alright, maybe I do need cash, but I do use WriterDuet and that’s free.99 baby!).
Access should always be the only prize you look for. The rest-- bleh, you can keep it (again... I’ll take that sweet $$). Winning the Grand Prize bought me a week in LA, flown out on their dime, for a week of meetings with reps and producers. These are real industry people. Stage32 becomes like your manager in a way. They prep you before. They follow up with them after. They are the bridge and they go over and above!
Bill Poore, Winner of the 3rd Annual Sci-FI/Fantasy Writing ContestHere are some highlights:
I have my first “official” meeting not even 2 hours off the freakin’ plane. What a way to start! Even better, it goes the distance. We talk for over an hour about style and movies we love. Hey, does that mean I pass the “I’m not a crazy person” test? I didn’t ask that. Don’t ask that.
Paradigm Talent Agency! Man, just being there felt like I was in the mix. Yo, they got Kombucha on tap! You know what Kombucha is? I don’t... but I respect it.
I have a meeting with a producer with some serious IMDB credits and oh no-- here comes the dreaded “what else do you have” question! Not only do I have something else, they love it!
I’d be remiss to not include IN-N-F***ING-OUT BURGER!!! Ahem, sorry.
Driving in LA is nightmarish, so I get to my meeting at a coffee shop early only to discover it’s shut down for filming. We plan to meet someplace else and I get to that second meeting spot only to find IT’S ALSO SHUT DOWN FOR FILMING. Love this town.
I have another manager meeting and it goes great! Hearing that someone digs your script feels awesome. Hearing that someone really got all the little things you worked so hard to put on the page is PRICELESS!
Parking. Just kidding... absolutely 100% NOT a highlight. Parking sucks.
In fact, parking sucks so much-- oh, you thought I was done, not even close-- how about finding the last open parking spot in Los Angeles, BUT it’s under a tree with freshly cut branches so that, throughout the night, tree sap slowly coats the entire rental car in a sticky syrup that makes it look straight outta Wonka’s factory, which, by the way-- am I responsible for this? Will I be charged? Are any of you lawyers?
So here I am, still decompressing after that whirlwind LA trip, but that’s kinda where I’m at right now. Sure, I’m waiting to hear back from the good people that Stage32 set me up with, cleaning up those other scripts so I can send them out, but more importantly, I’m still writing. Writing that next thing, which I’ll eventually rewrite, and eventually, eventually rewrite again. Because that’s really what it’s all about. Writing is the one thing I can control no matter what comes of all this other fun & exciting stuff. And trust me, it was exciting.
Only difference is... it’s not a secret anymore.
Again, many thanks to the Stage32 script services team! Specifically, Jason Mirch who let me bother him all week via text. Solid!
I’ll leave you with this:
PRO-TIP-- when the valet guy hands you the keys to the Bentley and asks if it’s yours, say yes. Don’t say, “... it’s the sticky Chevy Cruze.”
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About the Author

Jason Mirch
Creative Executive, Producer, Screenwriter
Jason Mirch is a feature film and television producer and executive with over 20 years of experience. Jason also serves as a Writer Consultant at Stage 32 where he works directly with screenwriters, filmmakers, and leading industry executives. In addition to his work with Stage 32, Jason runs...