Latest Blogs

Want to know what the industry is actually looking for? We have the data. Stage 32 connects over 3,000 industry professionals with writers submitting thousands of scripts every month. By tracking what gets requested, what leads to representation, and what projects move into development, we can see exactly what's working (and what's not). Here's what fellow executives are telling us through their script requests heading into 2026: Producers and representatives are sparking to high-concept genre...

Every screenwriter has experienced that sinking feeling when a reader says, "I just didn't connect with the characters." After months of work perfecting plot structure and crafting witty dialogue, hearing that your characters fell flat feels devastating. But here's the truth: weak characters will kill even the most brilliantly plotted screenplay. No amount of clever twists, stunning visuals, or snappy banter can compensate for characters that audiences don't care about. The good news? Charac...

Exclusively on Stage 32, the ONLY Female Driven Screenplay Contest in the World is Back! Featuring THREE LITERARY MANAGERS as mentors - giving YOU the best chance to get signed you'll find all year! Hey Stage 32 Community! Ever dreamt of seeing your female driven script come to life on the big screen or stream on flat-screens in living rooms across the country? This is your chance to turn that dream into reality! We're proud to announce the 5th Annual Stage 32 Female Driven Screenwriting Con...

Happy Sunday, Creative Army! I hope your weekend has been a creative one so far. Whether you have been writing, filming, editing, or sketching out the next spark of an idea, I have something today that will give you a boost. So grab your coffee, and let’s dive in. This week’s featured video comes from In Depth Cine and takes a thoughtful look at the imperfect cinematography of Paul Thomas Anderson. What makes Paul Thomas Anderson’s films feel so alive is not technical perfection; it is hones...

After publishing my blog, “Why Crowdsource Funding is Essential for Independent Producers”, there was some interesting feedback that pushed back, stating big investors are still the only legitimate way to fund film or other media projects. It was pointed out to me that, “If your goal eventually is a feature film that will be distributed internationally, then you are stepping into serious business, and the film should carry the weight of serious business in both its creation and financing.” As...

Before we delve into what will likely be some highly divisive discourse, I’d like to extend a reassurance to anyone who believes in the intrinsic value of authoritarian politics. Our discussion today will prove just as valuable to you as it will be to the bleeding hearts, the socialists, the people of color, the women, the disabled and neurodivergent people, the transgender people, and the queer people beside whom I proudly stand. What we’re going to talk about today is courage, and accountabili...

The dream of "transmedia" was supposed to be the future. But as recent stumbles in our biggest franchises reveal, we forgot that the human mind craves immersion, not homework. We have spent the last twenty years chasing a ghost. Those of us who map the intersections of narrative psychology and industrial economics have long watched a specific dream take shape on the horizon. We called it "transmedia storytelling." The concept was intoxicatingly simple. Imagine a story too large to be held by...

As our industry changes rapidly and new platforms crop up every quarter, a new player is becoming too big to ignore: Angel Studios. Off the success of DAVID at the box office during the holidays and having just passed 2 million subscribers, the Utah-based mission-driven studio is doing two things Hollywood would never dare to do: 1) Give greenlight power to the audience (the Guild members)  2) Shine off the Hollywood community entirely Angel doesn't need Hollywood because, frankly, its aud...

In The Hitchhiker’s Guide to the Galaxy, the Guide itself famously has ‘DON’T PANIC’ on its cover. That's still the best advice for navigating the unknown, including the flood of AI headlines you're gonna read in 2026. After thirty years in the film and TV industry, and years as an ethical AI consultant who spends every week tracking AI's collision with creative work, here's my current assessment of artificial intelligence as it pertains to the film and TV industry: MOSTLY HARMLESS. That's ano...

As filmmakers, we all know the high of wrapping production, that brief moment where the cast and crew are throwing high-fives, hugging, convinced for one breath that we did it. But anyone who has actually finished a short film knows the real work begins when the noise fades, and you’re suddenly alone with the footage, a blinking timeline, and a story that feels heavier than it did on set. On my most recent short, 'Loose Change', a 35mm project I wrote, directed, and edited, that silence was lou...