Filmmaking

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, in this video essay from Just an Observation, he’s analyzing one of the best antagonist characters in cinema, Kathy Bates' Oscar-winning performance as Annie Wilkes in Misery. As he points out, Kathy Bates delivers an unhinged performance filled with contrasting parts of Annie Wilkes' personali...

Hey, Stage 32 Community! We're just two weeks away from the start of the 2024 Austin Film Festival! And I'm THRILLED to announce that the bash is BACK! Stage 32 is back at the Austin Film Festival - and to celebrate - you're invited to the 11th Annual Austin Film Festival Rooftop Bash on Friday, October 25th, starting at 8:00 pm. This year's event will take place back on the exclusive rooftop bar of the Speakeasy, which overlooks the Warehouse District and beautiful Downtown Austin! And...

My short film, Rematch was finally released this year, and I’m excited to share it with the world. It’s a 20-minute domestic dramedy about two contentious brothers shot entirely in my home on an ultra-low budget. I’ve already outlined the hard lessons learned making that film in a recent Stage 32 blog, and I encourage you to give that a read if you haven’t already. However, while it’s important to shine a light on your mistakes, I also wanted to highlight a major success: How Stage 32 was ess...

Happy Thursday, Creative Army! As many of you already know, Stage 32 Certification has been bringing new film commissions, institutes, colleges, streamers, and other organizations into the mix. This week we’re welcoming the St. Pete-Clearwater Film Commission to Stage 32 Certification! The St. Pete-Clearwater Film Commission and Stage 32 are excited to partner to bring Certification opportunities to creative professionals in the St. Pete-Clearwater, FL area. This is their chance to get certi...

Let me start by saying that I’m very proud of my film. It’s called Rematch. It took a lot of time and elbow grease to finish, but it’s done and it’s out there. And that counts for something. That being said, I don’t have any delusions about what I made. The short film landscape is incredibly competitive. I don’t know how accurate it is, but I read that as many as 12,000 short films are produced each year. I assume the source of this number is festival submissions, which means the true number is...

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, in this video essay by Elliot Roberts, he’s comparing the approach of two different feature film biopics- 'Steve Jobs' by Aaron Sorkin and Danny Boyle, starring Michael Fassbender, and ‘Jobs’ by Joshua Michael Stern and Matt Whiteley, starring Ashton Kutcher. You can learn a lot by comparing tw...

Happy Friday, Stage 32 Community! Our Stage 32 Team has been working diligently to bring in as many new resources and opportunities as possible to enrich your experience here in our community! At Stage 32 you have direct access to award-winning industry executives and professionals who’ve written, produced, developed, and represented acclaimed projects such as PLAYING WITH FIRE, BODYCAM, SPELL, LOVE & MONSTERS, AM I OKAY?, BORDERLANDS, DRAFT DAY, FLIGHT, AIR, THE INSTIGATORS, JOHN WICK, SI...

Happy Thursday, Stage 32 Community! I hope that the last month has been joyful and productive for you all! Our Stage 32 Education Team has certainly been hard at work to bring incredible education opportunities and resources to this fantastic community. This October, you'll have the chance to learn from knowledgeable industry executives, award-winning writers, producers, consultants, authors, podcast hosts, and representatives. Impressive creative professionals who have worked on or represen...

Have you ever wondered how a movie or TV show set is managed throughout each day of production with all of the moving parts, all of the people, all of the action, and only so many hours in the day? Or how the production manages to always get the same information into the right people’s hands at the right time during all of the controlled chaos? Moreover, how does each day's schedule fit into the bigger schedule of shooting the entire film or show? Who is running the set to make sure that the dir...

So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negotiated the deal, the...